A Hindi-language film inspired by O. Henry’s short story The Last Leaf, Lootera is a masterpiece that has been overlooked for far too long. It stars Bollywood stars Sonakshi Sinha and Ranbir Singh and was critically acclaimed on release.
Lootera follows Pakhi (Sonakshi Sinha), the daughter of an important landlord in the small town of Manikpur in the 1950s. Ranbir Singh enters as Varun, an archaeologist who seeks permission to dig up and study the land around a historical temple on the family’s land. They have a decidedly unromantic initial meeting – a car accident where Pakhi loses control of her car (that she wasn’t supposed to be driving) and runs Varun and his motorbike off the road. When Varun later arrives at her doorstep to meet with her father, they both are cautious, Pakhi especially, so as she doesn’t want her father to know the truth of the accident.
However, we see how Pakhi is nonetheless drawn to Varun, and vice versa. We see them peeking glances at each other, doing anything they can to spend a few moments together. Varun also wins over her father and soon, the landlord offers Varun lodgings in their mansion. What follows is a beautiful portrayal of the two falling in love. It’s pure, and fulfilling. Alas, Varun holds a secret and it may just threaten their future together.
I think we can agree, that plot and character are both equally vital for a story to work well. Lootera excels at both. It takes the emotional heart of The Last Leaf and makes it so much more complex and enriching. I was rooting for both Pakhi and Varun, even when their motives were against each other. Somehow, calling this a romantic drama doesn’t do it justice. Yes, the centre of this film is the love between the characters, but there’s so much heart around it, there’s so much more depth to it. I’m going to remember this film, the characters, the scenery for a long time.
In a film so high in quality, there’s so much to talk about. However, if there was something I have to talk about – it’s that of the cinematography. It’s one of the most striking things about this film, that it is so visually beautiful. The locations are each in stunning regions in India, at first showing the summer heat before putting the wintery of Northern India on display. The directing style complements both the location itself and the story incredibily well, with long moody shots that speak for themselves. Director Vikramaditya Motwane has worked on several other notable films – Sacred Games, Queen, Devdas(!) – but this truly is the peak of his work. As cinema changes and evolves, I am fully convinved that this shows the very best of modern Bollywood.
MY THOUGHTS
Reasons to go watch this now:
- Adaptations often adapt the same source material over and over again. The Last Leaf has not been adapted countless times before, rarely in English-language media. (Interestingly enough, it has been adapted or inspired media more in Asia.)
- Beautiful, beautiful movie to watch. International viewers may be surprised by the different climates in India.
- Potentially perfect film to watch in the cold winter months. Great to put on, especially on those days where it’s gloomy and rainy.
- Criminally underrated – if you’re in any way interested in film, it’s a must-watch.